Driven by balance and contrast, the artist re-appropriates symbols and sacred geometric shapes from religious contexts such Buddhism, Hinduism and Islam. For each element of Myoshka’s work, one finds its opposite closely integrated: he explores the interaction between negative and positive, the dialogue between light and dark and the tension between disruption and harmony. In every piece, Myoshka iteratively coerces the geometry of a particular motif: repeating, distorting, interlocking, until it blurs the transition from positive to negative. Even with careful analysis of the artist’s method, the patterns remain mesmerising, yielding a fresh experience with every encounter.