Practicing skills from a number of visual disciplines, with meticulous and painstaking focus, Myoshka works across an ever-more experimental range of media. Optical art and ancient symbolism are merged, through modern manufacturing processes and techniques.
Driven by balance and contrast, the artist re-appropriates symbols and sacred geometric shapes from religious contexts such Buddhism, Hinduism and Islam. For each element of Myoshka’s work, one finds its opposite closely integrated: he explores the interaction between negative and positive, the dialogue between light and dark and the tension between disruption and harmony. In every piece, Myoshka iteratively coerces the geometry of a particular motif: repeating, distorting, interlocking, until it blurs the transition from positive to negative. Even with careful analysis of the artist’s method, the patterns remain mesmerising, yielding a fresh experience with every encounter.
Practicing skills from a number of visual disciplines, with meticulous and painstaking focus, Myoshka works across an ever-more experimental range of media. Optical art and ancient symbolism are merged, through modern manufacturing processes and techniques.
Driven by balance and contrast, the artist re-appropriates symbols and sacred geometric shapes from religious contexts such Buddhism, Hinduism and Islam. For each element of Myoshka’s work, one finds its opposite closely integrated: he explores the interaction between negative and positive, the dialogue between light and dark and the tension between disruption and harmony. In every piece, Myoshka iteratively coerces the geometry of a particular motif: repeating, distorting, interlocking, until it blurs the transition from positive to negative. Even with careful analysis of the artist’s method, the patterns remain mesmerising, yielding a fresh experience with every encounter.
one must be reborn a
thousand times.”